gmail.com
➊ 藍或另一種藍 Blue or The Other Blue.
Book Cover Design. September, 2025.
Blue, or Another Blue follows Aoko, who splits into two selves: Aoko A and Aoko B. The story shows how her divided lives reveal struggles with identity and self-understanding.
➋ Women in Concrete Poetry: 1959-1979.
Book Cover Design. September, 2025.
with liberating letters from words, and words from the conventions that dicate how they should function in ordinary language and in traditional literary texts.
➌ 城與不確定的牆 The City And Its Uncertain Walls
Book Cover Design. September, 2025.
The City and Its Uncertain Walls follows a man’s journey between reality and a mysterious walled city, exploring memory, identity, and the boundaries of the self.
➍ 同棲生活 Parade.
Book Cover Design. September, 2025.
Parade portrays five young Tokyo flatmates whose seemingly peaceful cohabitation gradually exposes hidden loneliness, secrets, and unease beneath the surface.
2023-2025
➊ Hidden In The Stacks.
Poster Design, Feburary 2025.
Digital printing on Glossy paper, 24 x 36 in.
➋ Shared Story Telling - New Acquisitions from Franklin Furnace Archive.
Poster, December 2022.
Inkjet Print / Manual Folding, 13 x 20 in.
➍ ABC to Z: Abecedaria & Dictionaries from the Franklin Furnace Artists’ Book Collection.
Poster Design, July 2024.
➎ Power Outage Notification.
Poster, July 2022.
21 × 29.7 cm.
The posters are designed to be printed with the most easily and available A4 size printer with black and white color, so these can easily be printed and spread by local people at a very low cost.
➏ 2022 VCUarts Thesis Show.
Exhibition Identity, July 2022.
Loop GIFs, 00:12.
➐ Voice.
Poster, 72.8 x 103 cm.
JAGDA International Student Poster Award
2022 / Selected.
This poster of graphical notation was created to capture and record the voices I grew up with, making these sounds tangible for every viewer. Voice has the power to evoke a sense of belonging, and I wanted to convey that through this visual representation.
➊ Logo Animations
Logo Animation, October 2019.Mp4, 04:38
➋ TDC 70 Competition Identity
Experimental Type Design, Motion Design.
Wolff Olins, June 2023-May 2024.
As machines often serve as the crutch for our memory, there lies opportunity to embrace the transitory and ephemeral nature of time, humanity and cherishing the beauty found in each moment. Each year, the TDC competition has epitomized the essence of the current era - its contemporaneity, urgency, and ability to define the typographic landscape of each year. Let’s be present and celebrate this moment.
➊ NYC Park Rules Quick Guide.
Zine. August, 2025.
Laser Print on Green Paper.
Designed at Typograpgy Summer School NY 2025.
➋ Weaving Is Bilingual Is Weaving.
Writing, Publication. October 2022.
Inkjet / RISO Print, 4.25 × 11 in.
This study examines the similarities between the weaving system's wrap and weft and the English and Taiwanese Mandarin writing systems, which utilize horizontal and vertical orientations. The goal is to relate these systems to the bilingual daily experiences of migrants.
➌ 2022 VCUarts Thesis Show.
Exhibition Identity, July 2022.
Ink Print(silver/black), Double sided, 10 × 17 in.
➍ Dying Too Soon: In Northern Virginia, The Risk of Dying Before Age 75 Depends on Race, Ethnicity, and Address.
Infographic, Publication, June 2023.
Digital Print, Saddle Stitch, 500 Copies, 8.5 x 11 in.
Press Coverage - NPR, WUSA.
Full Report.
➎ Review Writing for Kai Chuang's Ruler
Design, Writing, December 2022.
Laser Print, 7 × 18 cm.
This is a critic writing and design for Kai Chuang’s Ruler. Kai created a new measurement system by referencing the size of their body to challenge the dominant unit system. The critic was printed in the size of Kai’s Ruler and recreated the shapes imprint on the Ruler with a typographic layout.
➏ I Became A Cat.
Book Design, June 2021.
Risograph, Perfect binding, Deckled edge, 23 pages, 8 × 12 cm.
I became a cat collects my short writing about how I became a cat after I moved to Richmond. The book is designed to be a cat-holdable size. And the deckled edges might be torn by cats.
Brand Identity, 2025.
Graphic / Motion Design.
Likely Editions is an independent space run by myself and archivist Fangyu that aims to promote and extend the concept of artists' books in Taiwan.
We present and support self-publishing projects that experiment the book format as an art medium, covering a wide range of selections from small edition works, zines, conceptual book projects, to designer-initiated publishing. Our vision is to stimulate more discussions, thoughts, and creativity about the practices of artists' books in Taiwan, and to foster a liberal understanding and appreciation of this genre.
Likely Editions is an ongoing project currently in development and intended for educational purposes. The artists and publishers referenced are individuals and organizations we hope to collaborate with in the future. All copyrights remain with the respective artists, and we look forward to the opportunity to work with them.
Writing, Publication Design. December 2022.
Inkjet Print, 18 × 27 cm.
Phantom Scripting is an immersive environment and multitrack sound installation that explores the experience of navigating the unwritten rules of a new cultural system, particularly through the lens of migration. The screenplay is drawn from five Taiwanese films and dramas that examine local culture and its unspoken codes.
The gallery is transformed into a complex theatre stage, where the artist challenges audiences by providing the script without actors. This absence compels visitors to piece together the system of the space and the relationship between text and stage. A shared symbolic visual language connects the script and the environment: stage marks on the gallery floor indicate actors’ positions and movements, mirrored by notations alongside dialogue in the script. In this way, actors become invisible phantoms, existing only through the audience’s imagination and participation.
This act of interpreting and embodying the system in space parallels the social experience of migrants who must decode and adapt to unfamiliar cultural structures. The installation process itself reflects this process of exploration, deconstruction, and reconstruction. Tiles on the floor serve as a grid for transferring visuals from screen to space, breaking down and reassembling the design to create a layered, systemic encounter.