About
Writing, Publication. December 2022.
Inkjet Print, 18 × 27 cm.
Installation ,December 2022.
22'10” * 31'6" * 9'6", Six Audio Tracks. ➫
Writing, Publication. October 2022.
Inkjet / RISO Print, 4.25 × 11 in.
This study examines the similarities between the weaving system's wrap and weft and the English and Taiwanese Mandarin writing systems, which utilize horizontal and vertical orientations. The goal is to relate these systems to the
bilingual daily experiences of migrants.
Editorial, Writing, December 2022.
Laser Print, 7 × 18 cm.
Poster, June 2023.
Digital Print, 11 x 17 in.
Kenetic Poster, December 2021.
Loop GIFs, 00:07.
MFA Thesis Show ,December 2022.
Writing, Publication. Injet / RISO Print, 10.5 x 7.5 in.
Poster, December 2022.
Inkjet Print / Manual Folding, 13 x 20 in.
Poster, July 2022. 21 × 29.7 cm
The posters are designed to be printed with the most easily and available A4 size printer with black and white color, so these can easily be printed and spread by local people at a very low cost.
Artifact, Publication, Writing, September 2021.
Risograph, Frame by Frame Drawing, 5.5 × 8.5 in.
Brand Identity, April 2023
Poster, 72.8 x 103 cm.
JAGDA International Student Poster Award
2022 / Selected
Not until I left my home country that I realize how voice can bring a sense of belonging. The graphical notation sit on the margin of this poster is created to record the voices around me that I grew up with. The poster attempt to make these voices tangible to every viewer.
Handmade Website, November 2021.
HTML, CSS, Javascript
This website is designed to challenge the purpose and structure of the modern web space. Nowadays, websites are often automatically buit from templates in similiar structure. A website with clear navigation is considered to be well
designed. What if a website is built to have the audiences to enjoy a sense of lost and take things slow in this fast-paced digital era?
Writing, Publication, October 2022.
Laser Print, 8.5 x 5.5 in
Artifact, Writing, Publication. June 2021.
Risograph, Perfect binding, Deckled edge, 23 pages, 8 × 12 cm.
Artifact, April 2022
Exhibition Identity, July 2022.
Loop GIFs, 00:12 / Ink Print(silver/black), double sided, 10 × 17 in / Vinyl on Wall
Poster, August 2022.
35 x 47 in.
Artifact, Writing, Editorial, December 2021.
Laser print, Four-sided perfect binding,
31 pages, 5.5 × 8.5 in.
Artifact, November 2021.
Embroideried types on handmade tote bags, 35 × 25 cm
Logo Animation, October 2019. 04:38
Kenetic Poster, December 2021.
Loop GIFs, 00:07.
Poster, December 2022.
Inkjet Print / Manual Folding, 13 x 20 in.
Writing, Publication, December 2022.
Injet / RISO Print, 10.5 x 7.5 in.
Poster, July 2022.
21 × 29.7 cm
The posters are designed to be printed with the most easily and available A4 size printer with black and white color, so these can easily be printed and spread by local people at a very low cost.
Artifact, Writing, Publication, September 2021.
Risograph, Frame by Frame Drawing, 5.5 × 8.5 in.
Brand Identity, April 2023
Infographic, Publication, June 2023.
Digital Print, Saddle Stitch, 500 Copies, 8.5 x 11 in.
Press Coverage - NPR, WUSA.
Full Report.
Poster, 72.8 x 103 cm.
JAGDA International Student Poster Award
2022 / Selected
Not until I left my home country that I realize how voice can bring a sense of belonging. This poster of the graphical notation is created to record the voices around me that I grew up with and to make these voices tangible to every viewer.
Brand Identity, December 2022.
Brand Identity, June 2022.
Hat Design, November 2021
This hat design for the staff at the Anderson Gallery aims to bring the mascot of the gallery, Swamp Sister into the design.
Poster, July 2022. 29.7 x 42 cm
Peace is the soft clouds, the quietness of blue, the moisture of the rain, and the comfort and usual days. The clouds are the word “peace” spelled in the Morse code. All the dots and dashes are burnt holes of paper. The blue covers the burnt color of the edges. The raindrop graphics cross out the dates of the war. This poster attempts to convey the idea that reedy and war covertly hide behind the pacific days that we take for granted.
Video, March 2021. 00:14
Kenetic Poster, April 2022.
Loop GIFs, 00:07.
This poster is designed for the Object and Method zoom lecture of Yo-Yo Lin 林友友, a Taiwanese-American, interdisciplinary media artist, at VCUarts Graphic Design program.
This poster was mainly inspired by Yo-Yo's work Re: collections / 再次·回顧 which is based on her return to her motherland in Taiwan during the
pandemic and talks about the moment when the artist's memories and experiences across the two lands intersect.The elements of this poster include video clips of ants working, and a kinetic type design of Yo-Yo Lin's name in both
English and traditional Chinese(林友友) in a motion that combines and then separates.
Stage Motion, December 2020.
- Stage motion design for Hebe Tien - 無人知曉
- Stage motion design for Xiao Bing Chih
- Designed stage motion for 2D main visual of the event